学音乐制作去哪个学校

学音乐制作去哪个学校学音乐制作去推荐的学校如下：
1、伯克利音乐学院，伯克利音乐学院是美国乃至全球顶尖的现代音乐学院，坐落在美国波士顿，其音乐艺术教育方面享誉全世界。2016年与同样顶尖的古典类音乐学院波士顿音乐学院正式宣布合并。伯克利音乐学院培养了众多格莱美获奖人才。是音乐艺术学习者梦想的殿堂。
2、纽约大学，纽约大学实际上有两个音乐制作部门，一个在称为Clive-Davis录音乐系的“Tisch”学校，另一个在专注于音乐技术的“Steinhardt”学校。两者都很优秀，但两者之间存在重大差异。
3、洛杉矶音乐学院，洛杉矶不仅是世界娱乐与电影产业的中心，更是培养顶尖音乐人才的摇篮，洛杉矶音乐学院（LACM）便是其中的佼佼者。
4、曼彻斯特大学，作为全英国最大的全日制大学，曼大成为中国留学生申请人数最多的英国大学，有“中国城”之称。曼彻斯特也是比伦敦以外的任何一个英国城市都更专业的音乐制作之乡。

5、利兹大学，利兹大学（The-University-of-Leeds），世界百强名校，英国顶尖学府，英国常春藤联盟罗素大学集团创始成员，英国著名的六所“红砖大学”之一，世界大学联盟成员，白玫瑰大学联盟成员，N8大学联盟成员，英国12所精英大学之一。

音乐制作出国留学分为哪些专业音乐制作出国留学分为五类：
第一类是录音艺术类;
第二类是音乐制作类;
第三类是音乐技术类;
第四类是影视多媒体配乐类;
第五类是流行音乐创作或唱作类。
1、录音艺术
录音艺术专业要求学生具有较高的艺术素质，有较深厚的音乐功底并且熟知各种高端录音设备，开设录音艺术的学校基本都会安排实习，在校期间的学生也可以为学校提供有偿的录音服务。近年，有越来越多的音乐家也投入到了录音艺术的行业。
2、音乐制作类
这类的学习的内容比较全面。从基础理论，到编曲手法，再到录音技术和混音指导。未来想做音乐制作人的可以首选这个专业，知识面会比较广哦。
3、音乐技术类
这类的专业会比较侧重于音频技术、信号处理、电子声音处理、音频分析计算机音乐软件开发应用，音乐基础认知等。
这类别的专业名称主要有Computer Music，Music technology 等，代表院校有 UC San Diego，Peabody

Institute。该类别专业比较适合于有理工科背景。
4、配乐类
这类包含了影视配乐类，多媒体配乐，游戏配乐等。
比如Media Scoring，Music Composition for the Screen，filmscoring，Film
Composition，Scoring for Film and Multimedia，Sound Design for Video Games
等都属于这类的专业。
5、现代作曲和唱作专业
该类的专业就是严格意义的音乐原创专业了，需要学生具备很强的音乐基本功以及创作性。学生本身要有创作的欲望，有自己独特的想法，甚至可以有自己的音乐调调。
这类专业主要有：Music Composition and
Technology，Composition(要在现代流行音乐学院里面选哦)，Singer/Song writer，Commercial
Songwriting，Songwriting，Commercial
Music，看过这些专业的课程设置你就会知道，其实这都是一个类别的专业，在课程设置方面也有很多的相似点。

申请美国大学音乐专业的要求有哪些？1、所有国际学生都需要TOEFL成绩，IBT也最好在80分以上。
2、一般来说偏理论的专业要求提供GRE成绩，比较音乐理论或者教育，对于器乐类专业大部分不需要GRE成绩，更看重的是音乐的表现力。
3、GPA：学校基本上要求申请人的GPA达到3.0以上。
4、作品集是申请的核心，是决定申请成功与否的并且能否拿到奖学金的关键。5、Essay：一般1-2篇，综合性大学下的音乐学院要求更难一些。【了解更多艺术留学内容】
艺术留学，推荐斯芬克国际艺术教育。斯芬克专注于国际化启发式教学，以专业为核心;能力培养为目的，培养学生获得敏锐的设计思维、创新力、团队协作能力和动手实践能力，放眼不同领域进行学习和探索实践，快速向国际化学习环境过渡。目前培训可覆盖英美日澳加等13个发达国家，50+艺术细分专业。

美国留学音乐专业面试时应该怎么做美国留学音乐专业面试时从以下几方面做：
首先，熟练背诵谱子。我指的是非常细致的背诵，并做到稳定的演奏。你要为你的面试做好125%的准备，因为面试的时候，大部分人会损失掉自己25%的真实水平。
第二，节奏和音准一致。稳定的节奏和音准，是音乐的基础。没有了节奏，再花俏的技巧也只能是无源之木、无本之水。千万不要为了表现自己的个性，而失去节奏和音准。要研究总谱，注意每一个节拍、符值、连线。要知道古典音乐演奏方向的教授们，一定不希望你是一个自由发挥的演奏家。因此，越到最后越是要做到慢练。说起来很容易，可是当你形成习惯，每次急匆匆的弹完，你发现你根本不会慢下来了。这时候，如果你已经体会到问题，可以适当使用节拍器来纠正坏习惯。
第三，音乐风格。这一点我要强调三遍！比如你在演奏莫扎特曲目的时候，一定不能太过高昂和激荡，因为莫扎特的风格以细腻、轻盈、含蓄华贵，而有强烈的古典色彩。显然，如果你把莫扎特的曲子弹得不知道是谁，那你就该打道回府了。
第四，强弱对比。这句话可以再分解，该强的强，该弱的弱。简单来说，就是强弱度要合适。对专业选手而言，这一点代表着基本水平，因为它隐含着选手对作品的理解。很多学琴的人对此深有体会。如果你总是习惯性地表达过强，那么当曲子演奏到高潮，你是打算刺穿所有面试官的耳膜吗？反过来说，某个PART强度很弱，你需要弓着身子气若游丝表达吗？事实上，强弱的对比一定是基于你对曲子的理解。这一点我认为比目光交流和微笑还要重要和致命。尤其是对于没有太多舞台经验的学生，容易在强弱上失控，上台后自己耳朵听不见自己的琴声，更别说面试官了。
第五，提前预演。可以在好朋友或者熟悉的师长面前，多做几次预演，缓解紧张。
第六，穿着得体，举止得当。小鲜花小鲜肉不能穿戴花枝招展，奇装异服，过多装饰，这些我就不再多说了，都get到了吧！
第七，准备好向校方提问的有意义的问题。尽可能多做功课，多了解对方院校、教授、专业、名额，以及各种项目等。
第八，提前候场，微笑离场。入场的时候，请以礼貌、友好而自信的目光向在场人员致意。同样，离场的时候向所有评委表示诚挚感谢，注意目光务必要到每一个人身上。
附上面试演奏的曲目：
一、钢琴曲目
1. A Prelude and Fugue by J. S. Bach from the Well-Tempered Clavier
2. A complete sonata by Haydn, Mozart, Schubert, or Beethoven, excluding Haydn juvenilia or Mozart K. 545 or Beethoven op. 49 & 79
3. A complete work of a 19th-century composer
4. One piece or single movement by a contemporary composer
5. An etude of virtuosity at the level of those by Chopin, Liszt, Rachmaninoff, Scriabin, Debussy, Bartok, Stravinsky orLigeti.
二、声乐曲目
Vocal Audition Requirements
1. One art song in Italian
2. One art song in French
3. One art song in German
4. One art song in English
5. One opera aria
6. One oratorio aria
7. An additional selection in a fifth language
三、小提琴面试曲目
1.From J.S. Bach-Unaccompanied Sonatas and Partitas:
2.Two major contrasting movements from the sonata or duo repertoire with piano 3.One complete major concerto work (with applicable cadenzas)
4.A virtuoso concert piece by composers such as Paganini, Sarasate, Vieuxtemps, Wieniawski, or Ysaÿe (any works not written for solo violin must be performed with accompaniment).
5.One commercially published work written after 1980 (a movement from a multi-movement work does not count as a work)
四、萨克斯面试要求
A)古典萨克斯
1. Ibert Concertino da Camera (pub. Leduc), or a comparable work;
2. Choose one of the following (or a comparable work):
•Creston Sonata, Op.19 (pub. Shawnee); 2 contrasting mvmts ;
•Dahl Concerto (pub. European American Music); 2 contrasting mvmts ;
•Denisov Sonata (pub. Leduc); 2 contrasting mvmts ;
•Glazounov Concerto (pub. Leduc) ;
•Harbison Sonata "San Antonio" (pub. Schirmer-AMP); 2 contrasting mvmts ;
3. Two orchestral excerpts from The Orchestral Saxophonist, Vol.1 (pub. Roncorp). Suggested excerpts:
•Mussorgsky-Ravel Pictures at an Exhibition;
•Prokofiev Lieutenant Kije ;
•Rachmaninov Symphonic Dances .4. Two contrasting études；
B)爵士萨克斯
1. Prepare a solo piece including playing the melody and at least 3 improvised choruses of a jazz standard (any style)
2. Prepare at least two blues heads and improvise on the changes
3. Prepare the melody to one jazz standard ballad and improvise at least one chorus
4. Prepare the melody to one medium swing tempo jazz standard of your choosing and improvise at least one chorus
5. Prepare the melody to the jazz standard "All The Things You Are" and improvise at least one chorus
6. Prepare the melody to the jazz standard "Oleo" and improvise at least one chorus
五、单簧管面试曲要求
Clarinet Audition Requirements
1.Two contrasting Etudes from Rose 32 Etudes
2. Mozart clarinet concerto
3. A prepared piece of the applicant’s choice
4. A work composed since 1970. This may be a concerto, a work with piano, or one for solo clarinet.
5.Three to Six orchestral excerpts:
六、大提琴面试曲目
1. One piece of applicant’s choice (must be a commercially published work)
2. Two contrasting movements of an unaccompanied Bach suite
3. One complete concerto or major work from the standard cello repertoire
4. A complete sonata or other duo work for cello and piano
5. A commercially published work written after 1970
七、音乐制作曲目要求
Applicants should submit Three to Five works that reflect their experience in computer music and other art media or interdisciplinary forms，showing an awareness of 20th-century composition. If your work is produced primarily through electronic/recorded media, evidence of skill in written musical forms, such as scores, must be added.
八、音乐剧面试曲目
1.Musical theater applicants must prepare two brief, contrasting songs from the Broadway repertoire: one ballad and one upbeat selection. And one should be written before 1965
2.Two short, contrasting monologues from the following: Modern, post-war literature: examples of post-war dramatists are Miller, Williams, Albee, Inge and Shepard. Classical literature: examples of classical pieces include Shakespeare’s comedies and histories or Moliere.
3. Present a 30-60 second clip of yourself moving/dancing. Your full body should be in view at all times. You may choose a cut from a musical or a dance performance in which you participated, or record something original. Any style is acceptable: musical theatre, ballet, jazz, tap, hip-hop, etc. Wear appropriate dance attire that will show clean line.
九、流行音乐面试曲目
Part One: Prepared Pieces
Your prepared piece should demonstrate significant understanding of musicality, expression, phrasing, appropriate articulation; excellent intonation and tonal quality; and clarity of articulation or enunciation of notes (and lyrics for vocalists). Your audition performance should be delivered in a manner that is appropriate for the style of the piece. Berklee embraces and values all styles of music, so you should prepare Three pieces that you are comfortable with and that displays your strengths as a musician. It should be should be in any style that demonstrates your instrumental proficiency and your overall musicianship. Here are some guidelines that may help when selecting your prepared piece:
•You might choose a tune from a well-known artist or band (in any style).
•You might choose a jazz or blues standard tune (which may include rhythm changes) to which you have the option of adding your own improvisation.
•You might choose a composition from the instrumental/voice repertoire or a movement, sonata, concerto, or etude. You might choose a tranion of a well-known artist’s solo.
Part Two: Sight Reading
While sight-reading, you should display strong accuracy of rhythm, pitch, and tone in order to achieve an interpretation that conveys musical substance with phrasing and expression appropriate to the style of the example provided.
Part Three: Improvisation
We would like to hear you improvise over a short progression to gauge where you are in your development. Your prepared piece may also include improvisation, but it is not required.
Part Four: Melodic and Rhythmic Playback
We recognize it is common for applicants to have imbalances in their playing abilities, and we realize that applicants may not have advanced skills in improvisation, reading, or ear training. We take a holistic approach in our evaluation process; each component of the audition helps the audition team assess your overall abilities as a musician and your potential for success at the master’s program level.
十、长笛面试曲目
Flute Audition Requirements
1. Any sonata by J.S. Bach.
2. Mozart Concerto in G or D - complete.
3. Major contemporary work (complete sonata, concerto, or substantial work).
4. Two additional complete works of contrasting styles and periods.
5. Five Orchestral Excerpts displaying a variety of styles.

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